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Kongo ivories
Kongo ivories are some of the finest sculptural works produced by the people of the west-central Africa's Lower Congo region. In the Kongo Kingdom, ivory was a precious commodity that was strictly controlled by chiefs and kings, who commissioned sculptors to produce fine ivory sculptures for their personal and courtly use. With the rise of the transatlantic trade, ivory became one of the most valuable African natural resources sought by Western industry. Eventually, Kongo ivory carvers produced works not only for indigenous leaders and elites but also for Europeans and other foreigners.
==Afro-Portuguese ivories==
Most of the earliest extant ivory carvings from sub-Saharan Africa were not made for African consumers. Richly decorated oliphants, or side-blown horns, from the sixteenth century are among the earliest known of the Kongo Kingdom's royal commissions in ivory. Although made in the form of musical instruments to be used during court ceremonies, many such sculptures were likely given as gifts and made for sale to Portuguese elites, missionaries, and traders.〔 In the 1950s, historian William Fagg coined the term “Afro-Portuguese ivories” to describe Kongo oliphants and other ivory sculptures from this period. A significant number of Afro-Portuguese ivories are in the British Museum, many of them made in Sierra Leone and Benin in the 15th and 16th centuries.〔British Museum Collection ()〕〔British Museum Collection ()〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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